{"id":854,"date":"2020-04-26T06:30:52","date_gmt":"2020-04-02T16:29:22","guid":{"rendered":"https:\/\/lolaarias.com\/what-they-want-to-hear-2\/"},"modified":"2020-05-02T20:37:57","modified_gmt":"2020-05-02T20:37:57","slug":"the-art-of-making-money","status":"publish","type":"post","link":"https:\/\/lolaarias.com\/es\/the-art-of-making-money\/","title":{"rendered":"El arte de hacer dinero"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":860,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"class_list":["post-854","post","type-post","status-publish","has-post-thumbnail","hentry","category-performances"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1.7,\r\n  \"rowGutters\": [\r\n    0,\r\n    3.3,\r\n    6,\r\n    1.5\r\n  ],\r\n  \"frameMargin\": 1.7,\r\n  \"topFrameMargin\": 10.4,\r\n  \"bottomFrameMargin\": 6,\r\n  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0,\r\n      \"relid\": 10\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Texto\\\"><em>The art of making money<\/em>\u00a0is a play performed by beggars, street musicians, prostitutes and actors from the city of Bremen. They talk on stage about how they make a living performing in the street. Like one of those get-rich-quick books, but written by beggars instead of a millionaire, the protagonists share their methods with the audience. Are they playing a role? Are they themselves? Do they choose a background in the city as their stage? Do they have a text? Who are their clients? How much do they make?<\/p><p class=\\\"_Texto\\\"><em>The art of making money<\/em>\u00a0is a play based on a concept taken from Brecht\u2019s\u00a0<i>The Threepenny Opera<\/i>.\u00a0 In Brecht\u2019s play we see the city through the eyes of those who work in its streets: beggars, prostitutes and thieves. And it is also a play about theatre, about how people use theatre to survive. As Peachum, the controller of the Beggars\u2019 Company, says in the first act:\u00a0<i>Nobody can make his own suffering sound convincing<\/i>. So beggars have to act out their suffering to survive in the same way that prostitutes have to act out their pleasure. This 1928 play raises a question that is still relevant: What is compassion in our time? How do we deal with other people\u2019s poverty? What strategies do people who live in the street use to survive?<\/p><p class=\\\"_Texto\\\"><i>The art of making money<\/i>\u00a0is a new portrait of the modern city through the eyes of people performing in the street, who are also somehow witnesses to how we experience compassion or desire.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span class=\\\"_Sub_Titulo\\\">Creditos<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Texto\\\">Escrita y dirigida por Lola Arias.<br \/><span class=\\\"_Sub_Titulo\\\">Con<\/span>\u00a0Beate Augustin, Ibrahim Chacarov,\u00a0\u00a0Mehmet Chacarov, Claudius Franz, Anja Meister, Ronald Meister, Bernhard Richter, Matthieu Svetchine, Boiko Borisor Todorov, Dog Kumpel.<br \/><span class=\\\"_Sub_Titulo\\\">Dramaturgia<\/span>\u00a0Benjamin von Blomberg.<br \/><span class=\\\"_Sub_Titulo\\\">ProducCi\u00f3n<\/span>\u00a0Alexandra Morales.<br \/><span class=\\\"_Sub_Titulo\\\">Tracci\u00f3n<\/span>\u00a0Martin Mutschler.<br \/><span class=\\\"_Sub_Titulo\\\">Escenograf\u00eda<\/span>\u00a0Dominic Huber.<br \/><span class=\\\"_Sub_Titulo\\\">M\u00fasica<\/span>\u00a0Ulises Conti.<br \/><span class=\\\"_Sub_Titulo\\\">Video<\/span>\u00a0Mikko Gaestel.<br \/><span class=\\\"_Sub_Titulo\\\">Iluminaci\u00f3n<\/span>\u00a0Joachim Grindel.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 9,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/posts\/854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/comments?post=854"}],"version-history":[{"count":0,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/posts\/854\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/media\/860"}],"wp:attachment":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/media?parent=854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/categories?post=854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/tags?post=854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}