{"id":29,"date":"2020-03-04T16:10:55","date_gmt":"2020-03-04T06:57:09","guid":{"rendered":"https:\/\/lolaarias.com\/project-3\/"},"modified":"2022-06-13T21:45:05","modified_gmt":"2022-06-13T21:45:05","slug":"futureland","status":"publish","type":"post","link":"https:\/\/lolaarias.com\/es\/futureland\/","title":{"rendered":"Futureland"},"content":{"rendered":"\n<p>Welcome to WordPress. This is your first post. Edit or delete it, then start writing!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcome to WordPress. This is your first post. Edit or delete it, then start writing!<\/p>\n","protected":false},"author":1,"featured_media":127,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"class_list":["post-29","post","type-post","status-publish","has-post-thumbnail","hentry","category-performances"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1.7,\r\n  \"rowGutters\": [\r\n    0,\r\n    3.35,\r\n    6,\r\n    1.5\r\n  ],\r\n  \"frameMargin\": 1.7,\r\n  \"topFrameMargin\": 10.4,\r\n  \"bottomFrameMargin\": 6,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_Titulo\\\">Futureland<\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      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\"text\",\r\n      \"cont\": \"<p class=\\\"_Texto\\\">What drives a teenager to set out on a lonely, dangerous journey to an unknown land? Under what circumstances do parents send their own children away so that they might be saved? What does it say about our society that millions of children risk their lives to cross borders and travel for months or years in search of a better future<\/p>\\n<p class=\\\"_Texto\\\">Half the refugees in Europe are minors, many of them unaccompanied. The children and young people who come to Europe are driven by a survival instinct, and confronted with a system that protects them only temporarily. According to German asylum law, no unaccompanied minor can be deported. In other words, children are safe until they turn eighteen. But what kind of future are we giving to these children if they are afraid to become adults?<\/p>\\n<p class=\\\"_Texto\\\">Futureland is a science-fiction documentary piece with teenagers aged 14 to 18, who came to Germany alone from Afghanistan, Syria, Somalia, Guinea, Bangladesh. They crossed the world on foot, by boat, hidden in a truck, and sometimes by plane. Now they live in Berlin among social workers, youth welfare employees, tutors, and other young people like them, all from very different cultures.<\/p>\\n<p class=\\\"_Texto\\\">These are teenagers who have landed in a new world where they don\u2019t know the rules. They are still in a grace period: they can stay but they don\u2019t know for how long. They do constant auditions to prove that they deserve asylum, a chance in a school, a place in a group of friends. They are in between cultures, in between children and adults, and in between past, present and future, searching for their own identity.<\/p>\\n<p class=\\\"_Texto\\\">Futureland is a video game piece born out of the imagination of those who have survived and are now inventing their own future.<\/p>\\n<p><a rel=\\\"noopener\\\" href=\\\"https:\/\/lolaarias.com\/wp-content\/uploads\/2022\/06\/Futurelan.pdf\\\" target=\\\"_blank\\\">PRENSA<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span class=\\\"_Sub_Titulo\\\">Credits<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Texto\\\"><span class=\\\"_Sub_Titulo\\\">Direction And Text<\/span> Lola Arias <br \/><span class=\\\"_Sub_Titulo\\\">With<\/span> Mamadou Allou Diallo, Ahmad Azrati, Fabiya Bhuiyan, Mohamed Haj Younis, Bashar Kanan, Sagal Odowa, May Saada, Sarah Safi<br \/><span class=\\\"_Sub_Titulo\\\">Artistic Advice<\/span> Bibiana Picado<br \/><span class=\\\"_Sub_Titulo\\\">Mendes Set<\/span> Dominic Huber <br \/><span class=\\\"_Sub_Titulo\\\">Music<\/span> Santiago Blaum<br \/><span class=\\\"_Sub_Titulo\\\">Costumes<\/span> Tutia Schaad<br \/><span class=\\\"_Sub_Titulo\\\">Choreography<\/span> Colette Sadler<br \/><span class=\\\"_Sub_Titulo\\\">Video<\/span> Mikko Gaestel<br \/><span class=\\\"_Sub_Titulo\\\">3d Animation And Video Assistance<\/span> Luis August Krawen<br \/><span class=\\\"_Sub_Titulo\\\">Dramaturgy<\/span> Johanna H\u00f6hmann, Florian Malzacher (Ruhrtriennale)<br \/><span class=\\\"_Sub_Titulo\\\">Production<\/span> Dag Lohde<br \/><span class=\\\"_Sub_Titulo\\\">Assistant Director<\/span> Laura Jim\u00e9nez Gonz\u00e1lez<br \/><span class=\\\"_Sub_Titulo\\\">Translation Text And Artistic Assistance<\/span> Laura Cecilia Nicol\u00e1s<br \/><span class=\\\"_Sub_Titulo\\\">Research And Casting<\/span> Hannah Baumann<br \/><span class=\\\"_Sub_Titulo\\\">Speech Training<\/span> Deborah Ziegler<br \/><span class=\\\"_Sub_Titulo\\\">Set Assistance<\/span> Stephanie Zurstegge<br \/><span class=\\\"_Sub_Titulo\\\">Costumes Assistance<\/span> Lenna Stam<br \/><span class=\\\"_Sub_Titulo\\\">Soufflage<\/span> Christian M\u00fcller<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 4,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 9,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/posts\/29","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/comments?post=29"}],"version-history":[{"count":0,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/posts\/29\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/media\/127"}],"wp:attachment":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/media?parent=29"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/categories?post=29"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/tags?post=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}