{"id":1440,"date":"2022-01-31T12:35:22","date_gmt":"2020-04-02T16:42:35","guid":{"rendered":"https:\/\/lolaarias.com\/my-documents-2\/"},"modified":"2022-06-12T20:10:19","modified_gmt":"2022-06-12T20:10:19","slug":"self-portraits","status":"publish","type":"post","link":"https:\/\/lolaarias.com\/es\/self-portraits\/","title":{"rendered":"Self-Portraits"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1482,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"class_list":["post-1440","post","type-post","status-publish","has-post-thumbnail","hentry","category-curatorship"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1.7,\r\n \"rowGutters\": [\r\n 0,\r\n 3.3,\r\n 6,\r\n 1.5\r\n ],\r\n \"frameMargin\": 1.7,\r\n \"topFrameMargin\": 10.4,\r\n \"bottomFrameMargin\": 6,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SeLF-pORTRAITS<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

2020<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 5,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 5,\r\n \"relid\": 5\r\n },\r\n {\r\n \"type\": \"elementgrid\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 811,\r\n \"config\": {\r\n \"desktop\": {\r\n \"colCount\": 1,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 0\r\n },\r\n \"tablet\": {\r\n \"colCount\": 1,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 0\r\n },\r\n \"phone\": {\r\n \"colCount\": 1,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 0\r\n },\r\n \"layoutType\": \"top-aligned\",\r\n \"elements\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 1441,\r\n \"cont\": \"\/wp-content\/uploads\/2022\/01\/KSF09376_01.jpg\",\r\n \"sizes\": {\r\n 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En el campo de las artes visuales, un autorretrato es un retrato del artista hecho por el artista. En el teatro, los actores suelen representar personajes que han sido escritos y puestos en escena por otra persona. Pero, \u00bfc\u00f3mo se retratan los actores a s\u00ed mismos?<\/p>

A partir de una historia personal, una experiencia o una obsesi\u00f3n concreta, siete actores del elenco estable del Theater Basel desarrollan su propio autorretrato. En \u00e9l revelan algo de s\u00ed mismos que hasta ahora ha permanecido oculto: una historia familiar de los coches que tuvieron y perdieron; un ensayo sobre la muerte y el dolor inspirado en la p\u00e9rdida de la propia madre; una historia sobre el acoso escolar, la amistad y el perd\u00f3n. Las representaciones permiten ver a los actores bajo una nueva luz. Esta vez ellos deciden qu\u00e9 mostrar y qu\u00e9 ocultar. Explican qu\u00e9 los ha convertido en quienes son hoy y qu\u00e9 historias se escribieron en sus cuerpos: los cuerpos que usualmente utilizan para representar historias de otros.<\/p>

BARBARA COLCERIU
Shape(d) of you<\/strong><\/p>

Una lecture-performance<\/em> inspirada en la turbulenta y corta biograf\u00eda de Barbara Colceriu. Una historia sobre citas m\u00e9dicas, acoso, talento, cirug\u00edas, deseos y encuentros que pueden cambiar nuestra vida para siempre, para bien o para mal.<\/p>

Pianista: Anna Bauer<\/p>

J\u00d6RG POHL
Gegenpohl<\/strong><\/p>

J\u00f6rg Pohl investiga a fondo su misteriosa afinidad con las ca\u00eddas y se encuentra con un antiguo competidor. Una historia sobre el ascenso y la ca\u00edda en el mundo del espect\u00e1culo.<\/p>

ANNE HAUG
Tout comprendre c\u2019est tout pardonner<\/strong>
Mientras empaca para volver a Basilea, Anne Haug encuentra una carta escrita por un antiguo compa\u00f1ero de colegio. Una historia de viejos enemigos, un terrible plan de venganza y una respuesta muy esperada.<\/p>

ANDREA BETTINI
Forever old<\/strong><\/p>

Andrea Bettini es a sus 60 a\u00f1os el miembro m\u00e1s veterano del elenco estable del Theater Basel. Tras haber muerto m\u00e1s de 55 veces en el escenario, se enfrenta a los retos del envejecimiento y prepara su propia muerte.<\/p>

ELMIRA BAHRAMI
Sternfahrt<\/strong><\/p>

Con un carrusel interminable en el que los coches son los pasajeros, Elmira Bahrami emprende un viaje hacia tierras lejanas, sue\u00f1os y veh\u00edculos que ya no existen.<\/p>

ROSA LEMBECK
Mit Rosa muss man rechnen<\/strong><\/p>

Un balance financiero y emocional de los \u00faltimos tres meses y veinticinco a\u00f1os. Un archivo personal de dinero que sobrevuela historias familiares, trabajos precarios y placeres culpables.<\/p>

JULIAN ANATOL SCHNEIDER
The parting glass<\/strong><\/p>

Julian Anatol Schneider indaga en su inquietud al acercarse al libro de su madre \\\"Hablemos sobre la muerte\\\" y lo que supone para \u00e9l volver a casa despu\u00e9s de esta gran p\u00e9rdida.<\/p>

Una coproducci\u00f3n de Theater Basel y Basel Theatre Festival<\/strong><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Creditos<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 13,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Concepto y curadur\u00eda:<\/span> Lola Arias
Producci\u00f3n:<\/span> Laura Cecilia Nicol\u00e1s
ASISTENCIA DE DiRECCI\u00d3N: <\/span>Franz Broich<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 3,\r\n \"relid\": 6,\r\n \"frameOverflow\": \"\"\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/posts\/1440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/comments?post=1440"}],"version-history":[{"count":0,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/posts\/1440\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/media\/1482"}],"wp:attachment":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/media?parent=1440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/categories?post=1440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/tags?post=1440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}