{"id":1068,"date":"2020-04-27T02:07:06","date_gmt":"2020-04-02T16:42:35","guid":{"rendered":"https:\/\/lolaarias.com\/atlas-of-communism-2\/"},"modified":"2020-05-03T00:45:51","modified_gmt":"2020-05-03T00:45:51","slug":"theatre-of-war","status":"publish","type":"post","link":"https:\/\/lolaarias.com\/es\/theatre-of-war\/","title":{"rendered":"Teatro de guerra"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":129,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"class_list":["post-1068","post","type-post","status-publish","has-post-thumbnail","hentry","category-films"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1.7,\r\n  \"rowGutters\": [\r\n    0,\r\n    3.3,\r\n    6,\r\n    1.5\r\n  ],\r\n  \"frameMargin\": 1.7,\r\n  \"topFrameMargin\": 10.4,\r\n  \"bottomFrameMargin\": 6,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {},\r\n    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     }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Texto\\\">En 1982, Argentina y Gran Breta\u00f1a pelearon la Guerra de Malvinas\/Falklands. La guerra termin\u00f3 con la victoria del ej\u00e9rcito brit\u00e1nico y alrededor de mil bajas en ambos bandos. Aunque el conflicto sucedi\u00f3 hace mucho tiempo, la soberan\u00eda sobre las islas a\u00fan sigue en disputa.<\/p><p class=\\\"_Texto\\\"><em>Teatro de guerra<\/em>\u00a0narra el encuentro de seis veteranos de la Guerra de Malvinas\/Falklands para hacer una pel\u00edcula. Casi treinta y cinco despu\u00e9s del conflicto, tres veteranos ingleses y tres argentinos pasaron meses reconstruyendo sus memorias de guerra.<\/p><p class=\\\"_Texto\\\">Esta pel\u00edcula documenta el experimento social que significa realizar un proyecto art\u00edstico con antiguos enemigos de guerra: las audiciones para encontrar a los protagonistas, los primeros encuentros y conversaciones con ellos, las reconstrucciones esc\u00e9nicas de sus memorias en diferentes espacios espacios: una pileta de nataci\u00f3n, una obra en construcci\u00f3n, un regimiento militar. Todas estas escenas de la pel\u00edcula son, a la vez, aut\u00e9nticas y artificiales. A veces parece que est\u00e1n sucediendo por primera vez; otras, que se trata de una situaci\u00f3n largamente ensayada.<\/p><p class=\\\"_Texto\\\">La pel\u00edcula alterna entre realidad y ficci\u00f3n, espontaneidad y actuaci\u00f3n. Explora c\u00f3mo transformar a un soldado en actor, c\u00f3mo convertir la experiencia de guerra en una historia, c\u00f3mo mostrar los efectos colaterales de la guerra. La pel\u00edcula re\u00fane a antiguos enemigos para actuar sus pesadillas de la guerra y posguerra.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"middle\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span class=\\\"_Sub_Titulo\\\">Creditos<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 13,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Texto\\\">Escrita y dirigida por Lola Arias.<br \/>Con Lou Armour, David Jackson, Rub\u00e9n Otero, Sukrim Rai, Gabriel Sagastume, Marcelo Vallejo.<br \/>Producida por Gema Ju\u00e1rez Allen y Alejandra Grinschpun.<br \/>Coproducida por Bettina Walter, Ingmar Trost, Pedro Saleh.<\/p><p class=\\\"_Texto\\\"><span class=\\\"_Sub_Titulo\\\">Cl\u00ednica de Proyecto<\/span>\u00a0Alan Pauls<br \/><span class=\\\"_Sub_Titulo\\\">Director of fotograf\u00eda y C\u00e1mara \/ Colaboraci\u00f3n Art\u00edstica<\/span>\u00a0Manuel Abramovich<br \/><span class=\\\"_Sub_Titulo\\\">Gaffer y c\u00e1mara adicional<\/span>\u00a0Armin Marchesini Weihmuller<br \/><span class=\\\"_Sub_Titulo\\\">Gaffer<\/span>\u00a0Francisco Nishimoto<br \/><span class=\\\"_Sub_Titulo\\\">Asistente de c\u00e1mara<\/span>\u00a0Agust\u00edn Boero, Camila L\u00f3pez Pozner, Ayel\u00e9n L\u00f3pez<br \/><span class=\\\"_Sub_Titulo\\\">Runner<\/span>\u00a0Manuel Berisso<br \/><span class=\\\"_Sub_Titulo\\\">Edici\u00f3n<\/span>\u00a0Anita Rem\u00f3n, Alejo Hoijman<br \/><span class=\\\"_Sub_Titulo\\\">Asistentes de edici\u00f3n<\/span>\u00a0Noelia Couto, Ver\u00f3nica de Cata<br \/><span class=\\\"_Sub_Titulo\\\">Investigaci\u00f3n<\/span>\u00a0Luz Algranti y Sof\u00eda Medici<br \/><span class=\\\"_Sub_Titulo\\\">Asistencia art\u00edstica<\/span>\u00a0Lucila Piffer<br \/><span class=\\\"_Sub_Titulo\\\">Asesoramiento art\u00edstico<\/span>\u00a0Alejo Moguillansky y Graciela Speranza<br \/><span class=\\\"_Sub_Titulo\\\">Dise\u00f1o de sonido<\/span>\u00a0Sof\u00eda Straface (ASA)<br \/><span class=\\\"_Sub_Titulo\\\">Grabaci\u00f3n de sonido<\/span>\u00a0Julia Huberman, Mart\u00edn Vaisman, Pablo Trilnik<br \/><span class=\\\"_Sub_Titulo\\\">Asistentes de grabaci\u00f3n de sonido<\/span>\u00a0Maximiliano Llovet Menesses, Paula Ram\u00edrez, Nicol\u00e1s Yaya, Diego S\u00e1nchez, Joaqu\u00edn Rajadle, Nicol\u00e1s de la Valentina<br \/><span class=\\\"_Sub_Titulo\\\">Artista de foley<\/span>\u00a0Francisco Rizzi (ASA)<br \/><span class=\\\"_Sub_Titulo\\\">Grabaci\u00f3n de foley<\/span>\u00a0Mart\u00edn Scaglia (ASA)<br \/><span class=\\\"_Sub_Titulo\\\">Mezcla de di\u00e1logo<\/span>\u00a0Lucas Meyer (ASA)<br \/><span class=\\\"_Sub_Titulo\\\">Mezcla de re-grabaci\u00f3n<\/span>\u00a0Sebasti\u00e1n Gonz\u00e1lez (ASA)<br \/><span class=\\\"_Sub_Titulo\\\">Estudio de re-grabaci\u00f3n<\/span>\u00a0El cono del silencio<br \/><span class=\\\"_Sub_Titulo\\\">Color<\/span>\u00a0Laura Viviani, Crows Nest PCG<br \/><span class=\\\"_Sub_Titulo\\\">Coordinadores de producci\u00f3n<\/span>\u00a0Carla Rosmino, Francisco Novick<br \/><span class=\\\"_Sub_Titulo\\\">Line producer<\/span>\u00a0Adri\u00e1n Fiszbejn<br \/><span class=\\\"_Sub_Titulo\\\">Runners de producci\u00f3n<\/span>\u00a0Agustina Barzola W\u00fcrth, Imanol L\u00f3pez<br \/><span class=\\\"_Sub_Titulo\\\">Meritorio de producci\u00f3n<\/span>\u00a0Valent\u00edn \u00c1lvarez Such<br \/><span class=\\\"_Sub_Titulo\\\">Supervisor de post producci\u00f3n y productor de VFX<\/span>\u00a0Leandro Vitali, Pedro Lijeron Vargas<br \/><span class=\\\"_Sub_Titulo\\\">Consultor\u00eda de post producci\u00f3n<\/span>\u00a0Leo Hans, Jonathan smecke<br \/><span class=\\\"_Sub_Titulo\\\">Maquillaje<\/span>\u00a0Soledad Alonso<br \/><span class=\\\"_Sub_Titulo\\\">Camara Munich<\/span>\u00a0Mikko Gaestel<br \/><span class=\\\"_Sub_Titulo\\\">Sonido Munich<\/span>\u00a0Drik Krecker<br \/><span class=\\\"_Sub_Titulo\\\">Dise\u00f1o gr\u00e1fico<\/span>\u00a0Diego Berakha<br \/><span class=\\\"_Sub_Titulo\\\">Dise\u00f1o de cr\u00e9ditos<\/span>\u00a0Agust\u00edn Ceretti<br \/><span class=\\\"_Sub_Titulo\\\">Traductores e int\u00e9rpretes<\/span>\u00a0Erika Teichert, Ana Victoria Quiroz, James Albert Surges, Laxcha Bantawa, Michel Steinberg, Daniel Tunnard<\/p><p class=\\\"_Texto\\\">Esta pel\u00edcula fue seleccionada para el 68 BERLINALE FORUM (DE) y SXSW 2018 (US).<br \/><br \/>Recibi\u00f3n Premio CICAE y el Premio del Jurado Ecum\u00e9nico durante la 68 Berlinale.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 12,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  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