{"id":77,"date":"2020-03-31T23:18:17","date_gmt":"2020-03-31T23:18:17","guid":{"rendered":"https:\/\/lolaarias.com\/?page_id=77"},"modified":"2024-07-24T15:49:07","modified_gmt":"2024-07-24T15:49:07","slug":"press","status":"publish","type":"page","link":"https:\/\/lolaarias.com\/es\/press\/","title":{"rendered":"Press"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-77","page","type-page","status-publish","hentry"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1.7,\r\n \"rowGutters\": [\r\n 6,\r\n 1.5\r\n ],\r\n \"frameMargin\": 1.7,\r\n \"topFrameMargin\": 10.6,\r\n \"bottomFrameMargin\": 6,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Art\u00edculos<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Los D\u00ecas Afuera \/ The Days out There (Festival D'Avignon)<\/a>
Reas<\/a>
Happy Nights<\/a>
Lengua Madre (Madrid)<\/a>
Lengua Madre (Bologna)<\/a>
Slow Motion<\/a>
Ich bin nicht tot<\/a>
Futureland<\/a>
What they want to hear<\/a>
Audici\u00f3n para una Manifestaci\u00f3n<\/a>
Atlas del Comunismo<\/a>
Doble de riesgo<\/a>
Campo minado<\/a>
Mis documentos<\/a>
El arte de hacer dinero<\/a>
Melancol\u00eda y manifestaciones<\/a><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 3,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 4\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

El a\u00f1o en que nac\u00ed<\/a>
Ciudades Paralelas (Buenos Aires)<\/a>
Ciudades Paralelas (Berl\u00edn)<\/a>
Ciudades Paralelas (Varsovia)<\/a>
Ciudades Paralelas (Zurich)<\/a>
Liebe ist ein heckenshutze<\/a>
Los Posnucleares<\/a>
Familienbande<\/a>
Mi vida despu\u00e9s<\/a>
Airportkids<\/a>
Ch\u00e1cara Paraiso (Soko SP)<\/a>
El amor es un francotirador<\/a>
Trilog\u00eda<\/a><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Videos<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Entrevista: Reas - <\/a>ARTE TV<\/a><\/a>
<\/a>Entrevista: Lengua Madre (Madrid) - Centro Dram\u00e1<\/span>tico Nacional<\/a>
Entrevista: Lengua Madre (Bologna) - Emilia Romagna Teatro<\/a>
Entrevista: Lengua Madre (Bologna) - TRAXXX<\/a>
Entrevista: Ich bin nicht tot - Schauspiel Hannover<\/a><\/a>
Entrevista: Teatro de Guerra - The Upcoming<\/a>
Entrevista: Teatro de Guerra - Berlinale 2018<\/a>
Entrevista: Teatro de Guerra - London Film Festival 2018<\/a>
Entrevista: Campo Minado - Royal Court Theatre<\/a>
Entrevista: Campo Minado - LIFT<\/a>
Entrevista: Campo Minado - Festival Internacional de Edinburgo\u00a02017<\/span><\/a>
<\/a><\/a><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 3,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Entrevista: Campo Minado - RFI Espa\u00f1ol<\/a>
Entrevista: Campo Minado - NachtKritik.de<\/a>
Entrevista: El arte de hacer dinero<\/a>
Entrevista: Mi vida despu\u00e9s \u2014 Arts 21<\/a>
Entrevista: Mi vida despu\u00e9s \u2014 Visi\u00f3n 7<\/a>

Contenido gen\u00e9rico sobre la obra de Lola Arias<\/strong>
Entrevista: Festival 10 Sentidos<\/a>
Entrevista: DW Espa\u00f1ol<\/a>
Entrevista: Los siete locos<\/a>
Masterclass: \u00abSobre vidas ajenas. El teatro como remake del pasado\u00bb -\u00a0Centro Dram\u00e1tico Nacional<\/a><\/h1>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 7,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/pages\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/comments?post=77"}],"version-history":[{"count":0,"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/pages\/77\/revisions"}],"wp:attachment":[{"href":"https:\/\/lolaarias.com\/es\/wp-json\/wp\/v2\/media?parent=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}